Category Archives: Unfinished Essays

Early COVID note

Starved for intelligent entertainment?

While we can’t all get together around a table, we can read face to (digital) face in a video chat room.  If you’re familiar with the technology, a chat room read’s the same as any other, as described in How It Happens

  1. Pick a play,
  2. set a date and time (a week in advance),
  3. invite some friends (RSVP),
  4. download and email scripts to those responding, and
  5. open the room.

If you’re already using a chat room, you know the routine. Otherwise, what follows is my limited understanding of digital communication.

To video-chat, you need a computer (laptop, tablet, phone) equipped with a video display, a camera, a microphone, a speaker, and a free account with one of the several providers of chat rooms. Most prominent is ZOOM, but it’s only free for forty minutes; more that that is $15/mo. Facebook Messenger Rooms and Google Meet are free and limitless, but for registered members only.

Since Cold Reads/Online is a Facebook group, we use its product.

Here’s a step by step guide:

  1. As the appointed time approaches, select a Facebook friend on Messenger and click the blue camera icon in the upper right corner of the page.ORGo to that friend’s Facebook page, click the ellipses (. . .) on the far right under the banner, and select  Video Chat.Just like a phone call, without the numbers. Your friend’s device will ring until he or she answers or you give up and try another friend,
  2. Once you establish communication with one friend, click the screen to reveal a taskbar at the bottom with an icon (+) to add members.
  3. As readers enter the room, confirm that all can both see and hear, and use the Chat function to transmit the link to the script.

That’s in. Three steps. Readers may choose to print out scripts, open them on another second device, or split the screen  on one. Guidelines for various methods are posted in Category Online Reads/Setup.

Stayed tuned for fine tuning.

The Wholly Human Art (beginning)

Of all the countless ways we humans pass our idle time,
only theatre, live on stage,
“holds the mirror up to nature,” as the saying goes.
In short, it shows us human beings
using every aspect of themselves
to engage our collective imagination
in a wholly human exploration
of our one unarguable common bond.

Continue reading The Wholly Human Art (beginning)

Renaissance Drama

UNDER CONSTRUCTION 

From Erasmus to Victor Hugo

Shakespeare’s plays evolved from (1) Italian translations and imitations of Roman plays that copied the Greeks and (2) 500 years of indigenous religious plays, secular moralities, and lewd  farces. From the first he retained the useful conventions of the Neoclassical Ideal and Aristotle’s elements—the 5-act structure, dialogue in verse (frequently rhymed couplets), kings and heroes—and ignored those that retrained his imagination. His plays intentionally violated the unities of time, place, and action, mixed tragedy and comedy, with parallel plots and gruesome onstage murders. Indigenous medieval drama broadened his scope to include the wit and wisdom of the common man, who spoke contemporary prose (in words now archaic or extinct). What emerged is universally accepted as the best that ever was, and its challenges well worth the rewards.

Shakespeare’s plays, in turn, were imitated and adapted through the centuries that followed, whittled down from several hours to less the two; five acts to four, then three; now mostly two. His poetry turned to purple prose in the 18th Century and was condensed in the 20th, his lengthy, lofty language lost through generations to the Twitter limit of today. Nonetheless,  his lines (and those of the contemporary King James Version of the Bible) are quoted more than most of the others put together); his characters are models for our playwrights, and his plots and themes are universal.

 

Modern Drama

UNDER CONSTRUCTION

This post, when written, will begin with Ibsen and end with Albee.

Realism vs Anti-Realism

From the end of the Franco-Prussian War (1871) until the beginning of World War I, most of the western world was stable, peaceful, prosperous, progressive, rational, trusting in the future. Known in France as La Belle Epoque (in England, Pax Britannica; in the US, The Gilded Age), arts and science flourished, technological inventions flooded the patent offices, all funded by growth capitalism. For the upper classes, life was a bowl of cherries.

Continue reading Modern Drama